Work Overture Project 2008 : From Revolts to Revolutions
CALLING ON THE INTERNATIONAL COMMUNITY
OF ELECTROACOUSTIC MUSIC AND SONIC ART
for a WORK OVERTURE PROJECT
in the 38th FESTIVAL SYNTHESE BOURGES 2008
“From Revolts to Revolutions”
The theme of the Open
Work 2008 is “From
Revolts to
Revolutions”.
In 1948, in the musical space, the serial field wanted to represent the modernity abolishing the tonal privileges with shots of retrograde canons and mirror writings, being on the whole old rules advantageously presented. This post second war unique model eradicated specific and national cultures. Among the literary sets of the time this model was seen as little preoccupied with communication and split from established order.
At the same time, in the re-conquered radiotelephony companies (after World War II), the instruments of communication were to reach the status of instrumentarium for creation.
The new electroacoustic world was big-banging, space and time were untied, deferred time, reconstructed spaces, and the ocean of sounds.
Where was the revolt, where was the revolution?
In 1968, in an environment of wars in series, a new search for freedom rose in numerous countries. Once more while history was being rewritten, broadcasting companies held their part.
Freedom of thought, of creation, of expression, of relations connected with new technologies, internationalism and networks, the musical revolution was becoming more and more effective.
Today, radios are communication media, but the networks of ideas, of communication and exchange have been amplified and multiplied. History goes on, creation by its side.
The 2008 Open work partakes in these networks and proposes to participate on the theme « From revolts to revolutions ». The piece is musical, political, ideological, historical following your choice, and has sounds, texts, quota-sounds, echoes, places, times, countries, reports, and dedications following your mood and choice.
In 1948, in the musical space, the serial field wanted to represent the modernity abolishing the tonal privileges with shots of retrograde canons and mirror writings, being on the whole old rules advantageously presented. This post second war unique model eradicated specific and national cultures. Among the literary sets of the time this model was seen as little preoccupied with communication and split from established order.
At the same time, in the re-conquered radiotelephony companies (after World War II), the instruments of communication were to reach the status of instrumentarium for creation.
The new electroacoustic world was big-banging, space and time were untied, deferred time, reconstructed spaces, and the ocean of sounds.
Where was the revolt, where was the revolution?
In 1968, in an environment of wars in series, a new search for freedom rose in numerous countries. Once more while history was being rewritten, broadcasting companies held their part.
Freedom of thought, of creation, of expression, of relations connected with new technologies, internationalism and networks, the musical revolution was becoming more and more effective.
Today, radios are communication media, but the networks of ideas, of communication and exchange have been amplified and multiplied. History goes on, creation by its side.
The 2008 Open work partakes in these networks and proposes to participate on the theme « From revolts to revolutions ». The piece is musical, political, ideological, historical following your choice, and has sounds, texts, quota-sounds, echoes, places, times, countries, reports, and dedications following your mood and choice.
___________________________________________
67 works by 67 composers by 27 countries entered in the work overture project 2008: "From Revolts to Revolutions" |
|
Olle ABERG (Suède) |
A
flow through time: light, darkness, circles, spirals... |
Paul
ADRIAENSSENS (Belgique) |
Throwing rocks ru |
Liana ALEXANDRA (Roumanie) |
Consonant Revolution |
Aitor ARRONTE
(Espagne) |
Escoitas agora miña senhor? |
Philippe AUCLAIR
(France) |
Sous
les pavés… |
Lydia AYERS (Hong Kong) |
Ghost Winds Talking |
Andy BIRTWISTLE (Grande-Bretagne) |
Mongdular |
Colin BLACK (Australie) |
Radio
Art: Psychological Environment I |
Pierre
BOESWILLWALD (France) |
|
Teresa CARRASCO
GARCIA (Espagne) |
Averse |
Gabriel CERINI
(Argentine) |
Algunas cronicas |
Maurizio
CHIANTONE (Italie) |
|
Kyong Mee CHOI / Timothy E. JOHNSON (Corée) |
Tensile Strength |
Lucio E. CUELLAR
CAMARGO (Colombie) |
Homenage a Gaitan y Torres |
Ricardo DE ARMAS
(Argentine) |
11220 |
Joris DE LAET
(Belgique) |
Pièce
paramétrique aux puces 86 |
Peter DE MONCEY-CONEGLIANO (G.Bretagne) |
Dialectics of 68 |
Hervé DEJARDIN
(France) |
Révolu-son |
DISASTRATO
(Turquie) |
Not being able to evolve, they had revolutions |
Karine DUMONT
(France) |
Révolutions |
Karine DUMONT
(France) |
C'est
bien (ad nauseam) |
Delphine DUPRÉ
(France) |
Révolution
intérieure |
Gerald FIEBIG
(Allemagne) |
de
composition |
Enrico FRANCIONI (Italie) |
REWORDLUTIONS |
Agapito GALAN RIVERA
(Venezuela) |
“R” |
Francesco
GALANTE (Italie) |
Libérer
la terre de l'immobilité fausse |
Ruth GLATT (Suisse) |
The
love Phenomenon |
Josh
GOLDMAN (USA) |
Hexagonal
(Facets 1-6) |
Robert HOARE (Canada) |
Garden Gate' (Portail d'un
Jardin) |
Esteban INSINGER (Argentine) |
The war is not over yet |
Weiwei JIN (Chine) |
Ej upp |
Weiwei JIN (Chine) |
One
trip, I think about Hz |
Bernadette
JOHNSON (Suisse) |
My littlen bit of liberty |
Frédéric KAHN (France) |
Rébellion
organique |
Koji KAWAI
(Japon) |
Dogen zenji's Being Time |
Pavel KOPECKY (Tchéquie) |
The
Green Gulch |
| Fernando LAUB (Argentine) | Prelude to the fifth dimension |
Louis KOSTA
(France) |
|
Vincent LAUBEUF
(France) |
XVIII/C |
Viktor LAZAR (Tchéquie) |
From revolts to Revolutions |
Simon LAZAROV
(Bulgarie) |
Don't you know revolutions |
Victor LAZZARINI (Brésil) |
The Burial of Dead |
Justin LEPANY (France) |
Tactique
singulière |
Andres LEWIN (Espagne) |
"Hommage
a Pierre Schaffer"(Autour de l'"Etude aux
chemins de fer") |
Goran LINDSJÖ
(Suède) |
Variations
of 20th century styles |
Alain LITHAUD (France) |
Ekronomica |
Wittwulf Y MALIK(Allemagne) |
Loosen the notes in a silver shower“, op. 140 / 2008 |
Armas MATOPUU (Finlande) |
Virtuel
suite - Trace 01 |
Francis MICHELS
(Belgique) |
Bells |
Francis MICHELS (Belgique) |
Cloches |
Luis
MIHOVILCEVIC (Argentine) |
October 17-May 68. Lenin & Trotsky... remember you? |
Mikako MIZUNO
(Japon) |
KYO |
Shinichi MORITA (Japon) |
Revolution08 |
Serban NICHIFOR (Roumanie) |
2 Counterrevolutionary Songs |
Takashi ONO (Japon) |
Neuro-electro |
Peter PAWLICKI
(Allemagne) |
|
Catalina PERALTA (Colombie) |
Freedom in Hot & Cold v.2 |
Anatoly PERESLEGIN (Israël) |
UNTITLED |
Charles PLATEL (France) |
Le
Grand Soir |
Etienne SAUR
(France) |
Sapere aude |
Jean-Philippe
SCELLIER (France) |
La
louve |
Annie SCEVE
DESURMONT (France) |
Ariane |
Pei-Yu SHI
(Taiwan) |
Schein
und Sein |
Krzysztof TOPOLSKI (Pologne) |
March
'68 |
Jean-Pierre
TOULIER (France) |
Quand
la (France) s‚ennuie ! opus XXII |
David TRESCOS
(France) |
Troubled times |
Jean-Paul
VERPEAUX (France) |
Revolution track |